Christchurch is a city still rebuilding after a major earthquake 22 February 2011 and it was the first time I had been there since. There is still more buildings to be repaired or demolished. I can't really describe how I felt. Very emotional.
A humming merchant mall, fun happy hour sessions and a great Carnival evening kept us entertained. Lots of classes to inspire. I was fortunate to be one of the tutors at this symposium.
Here are only a few of my photographs. Enjoy.
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| The Cardboard Cathedral (the tempory Christchurch Cathedral) | 
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| Exhibition Catalogue | 
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| St Andrews Collage. Venue of the Symposium | 
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| Bitter Sweet by Claire Smith (tutors exhibit) | 
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| Silence by Jean McLean (won best use of colour) | 
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New York Lights by Sophie Wood 
Merit in the Creative Construction section. 
Im a fan of Sophie's work.  There is always lots to see in her quilts | 
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Chirpy by Rosemay Rush  
Merit Best Applique | 
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Aide-Memoire for the Post-Modern Quilter 
by Catherine Croucher | 
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Unknown Furtre by Kat Martin 
One of the quilts published in the 2018 Aotearoa Quilters Calendar | 
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| Luke Haynes I attended Luke's lexture. He's very inspiring. | 
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Year of the Cat by Tracy Carew 
Winner Modern Quilt | 
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Ties that Bind by Jeanie O'Sullivan 
Winner Traitional Quilt & Viewers Choice. 
Simply stunning - my photo doesn't do this quilt any justice! | 
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Fly by Donna Ward 
Best in Show, Merite best Piecing,  | 
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Mughal Dynasty Reflextions by Michele Hill 
Tutors Exhibition | 
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Breaking Waves by Dianne Southy 
Merit Landscape / Pictorial | 
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| Watermark by Alison Laurence | 
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| Isolation by Sophie Wood | 
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See What My hands and Feet Can Do 
By Ruth de Vos (Tutors Exhibition) | 
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| Star Burst by Linda Rae | 
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Paint the Town Red by Natalie Murdoch 
1 of 20 quilts to tour New Zealand in the  
"Aotearoa Quilts on Tour" | 
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Most Fragile by Sandy Briggs 
One of the quilts published in the 2018 Aotearoa Quilters Calendar | 
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Cheers by Camilla Watson 
One of the quilts published in the 2018 Aotearoa Quilters Calendar | 
There are so many quilts still on my camera so I may get round to posting more later next month.
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Wimsical (with out the h). 
My entry in the Tutors exhibition. | 
Wimsical  (without the H)
Fabric designers spend hours
creating their unique fabric designs for quilters, crafters and dressmakers to
enjoy.  For several years now I have been
creating quilts out of one fabric.  Basically, I cut up a fabric and
re-design a different look by manipulating the fabric using traditional blocks.
I love visual textures, illusions and where possible also like to add tactile surfaces to some of my quilts.
The inspiration for this quilt came from the fabric itself - Marianna by Gray Sky Studio for ‘In The Beginning fabrics’ (2015). I was drawn to the elegant shapes, curves and subtle colours of the print.
The centre
of my quilt is made up of kaleidoscopes using the four-sided kaleidoscope block
method.  Inserted between each
kaleidoscope I have added a windmill block to add colour.  It was exciting to lay out my blocks on my
design wall.  Sewing them together
incorporating the windmills was a bit of a challenge.
Wonderfil
Dazzle has been couched into the borders to add sparkle.
This quilt
is Whimsical but I have left out the H in memory of my uncle Wim who took me to
visit a windmill for the first time in Holland in 1967.  I wasn’t so much in awe of the windmill itself,
but of the family of eleven who were about to eat their dinner sitting around a
dining table that stretched right across the room.  
One day this
quilt will be passed on to a young girl to enjoy.  Very
Wimsical.|  | 
| Students wotk in my Stacking Bow Tie class | 
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| Students work in my weaving class | 
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| We had great classroom facilities at St Andrews College | 
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Playing with layouts using student blocks in 
my Quilt As You Go class. 
(Another sample below) | 
Click HERE to register
Happy stitching
Shirls

 
So many photos Shirley! I've still got a tonne on my phone that I need to think about sharing. Your classes look like they were fun - especially the weaving one.
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